TRUE HOUSE STORIES™ W/ TYREE COOPER # 034 - PART 3
So many of Tyree’s original productions were being used on huge smash tracks such as Crystal Waters, Tyree decided to walk away from the music industry and earned more money delivering pizza's than he did producing some of the most incredible, world famous tracks ever to be made in the Hip House scene. Hear about the time Tyree met the artist Prince in Holland and refused to believe it was him.  Listen as Tyree reminisces about performing on Top of The Pops - thanks to help from Pete Tong. Tyree toured with MTV in 1990 with other bands such as De La Soul, Sybil, Betty Boo, Wee Papa Girl Rappers. Such a funny but also shocking ’True House Stories’ show from the incredible Tyree Cooper who is so talented yet never recognised or paid fairly. This finally led to Tyree taking DJ International Records to court where he was finally recompensated for the money he had always been denied due to always being informed that his productions had been ‘Flops’ by the label owners.

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TRUE HOUSE STORIES™ W/ RALPHIE DEE # 038 - PART 3
Ralphie Dee speaks about meeting actor John Travolta at the set of filming Saturday Night Fever. The installation of the famous dancefloor at Odyssey 2001 that would make its debut for the first time on the big screen. He also has a small part as an extra in the movie and here he explains how the premier of the movie is announced and how Ralphie's life is about to change overnight. The club and Ralphie become a household sensation and the stress of being famous begins as the movie hits the theatres worldwide. He also takes us on the spiral downwards as disco crashes and some of the misfortune he experienced over the years and how he worked through it all and made the right changes to survive the times. He speaks a lot of truth and very candid about dealing with lifelong depression and finding happiness in the end.

PART 1: https://youtu.be/6mCrQURk8mo
PART 2: https://youtu.be/8x4_TSs9ObM
PART 3: https://youtu.be/6a2-_L8gN2M

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TRUE HOUSE STORIES W/ RAY PINKY VELAZQUEZ # 069 - PART 2
Ray Pinky Velazquez known as the DJ, Artist, A&R, Remixer and Editor speaks about his beginnings of 99 Prince Street Record Pool. He leaves that pool to join Eddie Rivera's IDRC Record Pool and because of that move, Eddie helps put him forward for the A&R Consultant at Vanguard Records. In this part he explains what it was like working for older owners of a famous jazz label looking to step into Disco and all the wonderful records he was responsible for during his time at the label.

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TRUE HOUSE STORIES™ W/ ULTRA NATÉ # 049 - PART 2
Ultra Naté explains of how one of her biggest singles called “Free on Strictly Rhythm was made and her signing her deal with the hottest dance music record label of that time.  She shares with us how hard it can be when a major label basically says to you are on the wrong side of 25, making out that you are too old to be in the game. Well, she took the advice and turned it around quick and in turn built her own empire which ensured her rightful place in the business. The entire part of the process was handled with love and as she is blessed to have a fantastic management.  Ultra speaks about making the transition into becoming a international DJ and creating her party called Deep Sugar and the success it is. She closes what her music life will be in the next few months to two years.

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TRUE HOUSE STORIES® W/ CINIMIN # 112 INTERVIEWED BY LENNY FONTANA

Born and raised in the small town of Benoni, South Africa, The Cassim brothers Kyle and Austin have been obsessed with House music since they were young boys. Growing up in a household driven by dance, disco and house music it was inevitable that they would become Djs. But being a Dj wasn’t enough - they wanted to play their own music - music that they believed in, music that awakened their souls. Thus, in 2015 CINIMIN was born.

A House music duo that would headline the likes of Ultra South Africa, H2O Africa, Rage Festival, Sabor Festival (Mozambique) and close to all night-clubs and events in Southern Africa. In the last 4 years they have won a DMA (Dance Music Award) for ‘best dance record of the year’ and they have had not one, but 4 top 40 radio hits. Their recent hit “DURO” reached number 6 on the national top 40 on 5fm - South Africa’s most loved commercial radio station.

There are many dance Djs and producers around the world, but what makes CINIMIN really stand out is their infectious energy and passion on stage. Whether they are playing to 50 people or 14000 people, they have this way of connecting with the crowd. Their synergy and relationship behind the CDJs is unmatched. The way they move in synchronicity and play with the crowd is something you have to witness in person

If you have ever heard a CINIMIN record before you would know that it was made with one purpose in mind - TO MAKE PEOPLE DANCE! Every track that the boys write is made with the intention to make the dance floor shake!

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6th February 2018 Facebook Live Stream by Lenny Fontana
Karmic Power Records drive time HOUSEFM.NET wrap up show special guest Mikki Afflick.
The Karmic Power Wrap Up Show after Housefm.net brings Rocco Rodamaal . Live in the Karmic Power Records Studio. Tune In this Tuesday this is going to be very informative.

LIVE STREAM: https://www.facebook.com/lennyfontana
===================================================
6:15 PM to 7:45 PM | UK Time (GST)
1:15 PM to 2:45 PM | NYC Time (EST)
===================================================
Live Radio Show on HouseFM.Net (Official)
4:00 PM to 6:00 PM | UK Time (GST)
11:00 AM to 1:00 PM | NYC Time (EST)
Listen: http://www.housefm.net/
===================================================
II NEXT LIVE STREAM: II
II 06.02.2018 with Mikki Afflick- Dj Producer II
II 13.02.2018 with Rocco Rodamaal II
II 20.02.2018 TBC II
II 27.02.2018 TBC II
===================================================
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TRUE HOUSE STORIES™ W/ GLADYS PIZZARO # 014
Gladys Pizarro known for her golden ears and killer instinct helped shaped the humble beginnings of house music. The songs that she signed to her former label Strictly Rhythm Records are all known classics. Today she is in the middle of shooting a documentary called "Gotta Have House" and is the owner of her new label called Launch Entertainment. How fitting the name is since she helped launch a lot of the house music royalty that is revered today. A must watch episode.

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LAUNCH ENTERTAINMENT:
Launch Entertainment is the new label venture headed by Gladys Pizarro who is arguably the finest American dance A & R there ever was. A career Noteworthy for co-founding the legendary New York based House Music label Strictly Rhythm alongside Mark Finkelstein, she is Known for having the "Golden Ear". Gladys is widely recognized in the music industry as a "legend behind the scenes”. For over 20 years, Gladys has been a pioneer in the house music scene using her intuitive ability and skill to recognize new and upcoming talent. She is considered a musical innovator and creative agent. Her passion for music makes her one of the most approachable and accountable professionals in the music industry.
In the 90's she has developed the careers of Louie Vega, Erick Morillo, Armand Van Helden, Roger Sanchez, Ultra Nate, Barbara Tucker, and Duane Harden just to name a few. Because of her expertise, she shaped the careers of these artists who went on to have illustrious musical careers in the House Music/Electronica genre.
Launch Entertainment’s master plan is to develop producers, artist and DJ in the house music genre. She says it will be the "new label of Hitmakers". Already in the releases schedule, she has scooped up Grammy award winner Louie Vega, DJ Tedd Patterson, William "ReelSoul" Rodriguez and a new collaborative endeavor with Junior Rivero.

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True House Stories Brings Nick Halkes Wed 09/08 at 2pm NYC Time
Nick Halkes Manager of the Prodigy, Producer, Remixer, DJ and founder of XL Recordings will share his story on working as an A&R at the legendary Positiva Records UK and being fortunate to sign those killer New York City House Tracks during the golden era of the 1990s. He will school you all on what it truly takes to be a top guy in the music industry today with the constant changes in the biz.

TRUE HOUSE STORIES™ W/ MAURICE JOSHUA # 051 - PART 1
Grammy Award Winner for best remixer sits down about his life in the music industry. Starting from learning how to play Woodwind Instruments during his school days to becoming a Club DJ and forming a partnership with Hula Mahone. He takes us on his journey from the start of producing records for Trax Records Chicago, to writing his first huge hit called "This Is Acid" under the artist name Maurice. Touring the USA as a successful recording artist and the world for three solid years. He comes back to Chicago and begins his remix career under ID Records and Steve Silk Hurley. Listen to him share the success of what it took to become that sought out Remixer / Producer.

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TRUE HOUSE STORIES W/ PEDRO MONDESIR # 065 - PART 1
Pedro Mondesir the promoter behind the successful brands of Garage 416 and Break 4 Love shares with his life before being a club promoter. His humble beginnings are influenced by his older brothers and his parents music selection. In the late 1980s he is invited to a few parties and the life long career would begin because of the first moments of experience clubland and loving it.

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TRUE HOUSE STORIES™ W/ TEDDY DOUGLAS (BASEMENT BOYS) # 036 - PART 1
This story begins with Teddy Douglas sharing his humble beginnings at the record shop. How he arrived with the production name Basement Boys and meeting Thommy and Jay. How important The Tony Humphries Mastermix radio show on New York Radio 98.7 WRKS FM and having your record played. His first record deal on Jump Street Records and meeting superstar diva vocalist Ultra Nate'.

✭ VIDEO TIMELINE ✭
0:00 Welcome to True House Stories with Teddy Douglas
3:28 First single Jump Street Records Love Don't Live Here No More
3:40 Tony Humphries, Zanzibar Night Club, 98.7 Kiss FM New York City
4:36 Teddy Douglas Singing Career
8:18 Disco Dancing Teddy
8:00 Carl couldn't go to his father's funeral because he can´t leave Australia
9:18 Teddy Speaks about his musical training
10:41 Record Music Career Begins in the shops and DJ early days
13:52 Odell's Monday night party
14:51 First Record Store Job Starts & Basement Boys is beginning
16:00 Tastemakers
17:03 Movin Records New Jersey
17:50 Corporate Level Work Begins
19:18 Dreams of having demo records played
20:56 Teddy meets Thommy Davis and Jay Steinhour
22:13 How Basement Boys name arrived
23:08 First Record Deal
23:53 Tony Humphries Launched Careers for many in house music
25:00 Hearing your song on the radio
25:30 Teddy Describes the closing party at the Paradise Garage
27:30 Talent Search and Profile Records
28:00 Discovering female artist Ultra Nate'
28:35 Teddy is not a singer

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TRUE HOUSE STORIES W/ DJ MEME # 084 - PART 2
Dj Meme talks about his global international appeal in the house world. How he was able to persuade Defected Records to let him remix the single Fish Go Deep feat Tracy K. This is now how he creates the DJ Meme Orchestra Sound. The Remix for Defected does the business with the Dj’s around the globe and his name is heard and spoken everywhere. His first international DJ gig was in Hamburg at the Famous Betty Ford Clinic. Once he gets a taste of traveling it does not stop, he pushes and creates new relationships with all the names in house music. He recollects his time with Manager Judy Weinstein of Def Mix Productions and his close friendship with Frankie Knuckles. Dj Meme is a true icon and has produced huge hits and helped create a lot of stars with his music. He is known as “Mr. Midas Touch” Everything he touches turns to Gold…

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TRUE HOUSE STORIES W/ CRYSTAL WATERS # 071 - PART 2
Crystal Waters in this part shares with us her life after success and at the same time trying to define herself as a true dance pop artist. She was in the middle of a divorce and battling with her production company and record label over the contracts through her lawyers. As you will hear from herself this is never an easy thing to be dealing with especially when there is a lot of money involved. It's a constant battle to learn the new techniques that are happening in the music business and at the same time trying to balance it all, especially working with different personalities like managers and promotion people, but she finds her way through it all. Eventually, she is dropped from her record label Mercury Records and works on her singing career one song at a time. She discovers new success through working with different producers. One European Italian DJ steals her song and remixes it, adds his name next to her as a feature and it becomes a huge hit. Actually, it hits #1 in 41 countries on the pop charts. Listen to how her song "Destination Calabria" brings another huge success to Crystal in the ever-changing times and new landscape with streaming. This episode is a true history lesson and learning tool all in one.

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TRUE HOUSE STORIES W/ JENS LISSAT # 068 - PART 1
Jens Lissat explains his young life as a child in Hamburg Germany. His mom was a DJ who played at a afternoon tea dance with one Gramophone. His older sister has a huge influence on him and since she was seven years older she was already up on the new sounds of disco. She was bringing home new music that he was listening to and Jens personally was more into Glam Rock. His sister takes him to a new club and he sees an American DJ for the first time from New York at the Trinity Club. He has to find out what exactly the DJ was doing with the slip cueing and all. This sets him on his journey to learn how to beat match and make his way into becoming a resident DJ. Listen to him explain it all in detail.

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TRUE HOUSE STORIES™ W/ GREG WILSON # 023 - PART 2
Greg Wilson (born 1960) is an English DJ and producer associated with both the early 1980s electro scene in Manchester and the current disco / re-edit movement. He's also a writer / commentator on dance music and popular culture.

1993–2003
The following decade was something of a wilderness period for Wilson, but in 1994 he revisited his electro-funk past, compiling the Classic Electro Mastercuts album. This would generate a small number of DJ bookings, his first in 10 years, in promotion of the album.
In 1996, he was part of a collective of DJs and musicians who promoted a series of nights called The Monastery in Birkenhead, Liverpool and London. A mix, The Monastic Mix, was the last he ever put together on reel-to-reel.

2003–present
DJ comeback
Alerted by the lack of documentation of the specialist black music scene that had helped shape contemporary dance culture, he announced the website electrofunkroots.co.uk in 2003. The site documents the early '80s era, what led up to it and what came out of it. Offers of DJ bookings followed and on 20 December 2003 Wilson made his DJ comeback at a night called Music Is Better in Manchester club The Attic. This was the launchpad that re-ignited Wilson's DJ career 20 years on from his retirement. As his popularity increased, he appeared throughout the UK, Europe and the world, gaining newfound followers from a new, younger generation of clubbers.
In 2005, his re-edits compilation Credit to the Edit, released on the Tirk Recordings label, was the catalyst for his international success, helping to establish him, once again, as a scene leader.
Apart from working as a DJ and remixer, Wilson has written on various aspects of dance / black culture with articles published in magazines / webzines including Wax Poetics, Clash, Grand Slam, Strobelight Honey and Discopia. His Discotheque Archives series for DJ Magazine ran for 25 editions between 2016-2018.
His blog, Being a DJ, was launched in June 2010, and his observations on various aspects of club culture are now an online touchstone for dance music enthusiasts. Wilson has also been interviewed for a number of books, TV and film projects focusing on the history of club culture.

Musical output
Credit to the Edit Volume 2 was released in November 2009, with tour dates throughout the following months in the UK, Europe, Japan, Australia and the U.S. to promote the album. The series returned in April 2018 with Credit to the Edit Volume 3 and during that year Wilson became more active in the studio, working on various remix and re-edits projects, including some collaborations with his son Ché Wilson, the first of which to be released was a remix of "Out the Window" by Australian band Confidence Man, released on Heavenly Records.
Wilson has produced a series of documentative podcasts, Time Capsule, Random Influences and Early 80s Floorfillers, as well as the long-running blog series, Living to Music, where people were encouraged to listen to a monthly album selection in their home environment. This served to influence other related listening events, including Colleen Murphy's Classic Album Sundays audiophile sessions.
Commencing in 2009, Wilson had built a strong following on SoundCloud with regular uploads of DJ mixes, mainly live recordings, with over six and a half million plays up to 2019.

In addition to his DJ work, Wilson has given talks on music and dance culture at numerous events including Afro Modern at Tate Liverpool, Vintage at London Southbank, Salon at Standon Calling and Festival N°6 and alongside legendary figures Nile Rodgers and Giorgio Moroder at ADE in Amsterdam.
Source: Wikipedia

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TRUE HOUSE STORIES W/ MIKE DUNN # 080 - PART 2
Word soon spread about his talents and Mike Dunn was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug, resulting in his first release in 1987, “Dance You Mutha” on Westbrook Records, he also started to produce and engineer for other Chicago artists, such as Armando, Fast Eddie and K-Alexi Shelby. More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”, sometimes under the name Mike Dunn but also under aliases such as MD Connection, MDIII and QX-1. He continued to produce and release throughout the 1990s, with releases on labels such as Nervous, Nitestuff and Tribal America, whilst also working with other producers and vocalists such as Syleena Johnson, Byron Stingley, Mina Jackson, Kool Rock Steady and Kym English to name a few. Puff Daddy in the late1990s stepped to Mike and signed him to a production deal with the artists he managed and produced in hip hop artists. Listen to Mike break the P Diddy Story down and take you to the future.

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TRUE HOUSE STORIES™ W/ DJ SPEN SPECIAL SHOW 2021 # 002 - PART 2
US house icon DJ Spen first laid his hand on the decks at the age of thirteen while growing up in his native city of Baltimore - he hasn’t looked back since. Also known as Sean Spencer, the talented DJ and producer began his illustrious career in the mid-’80s as a hip-hop radio DJ making beats under the moniker Numarx, responsible for writing and recording 'Girl You Know It’s True', later covered and made into a smash hit by Milli Vanilli. The years that followed saw DJ Spen move away from hip-hop and towards the classic Chicago house sound that would define his productions for years to come, after joining forces with famed production collective The Basement Boys. Working under the name Jasper Street Co., DJ Spen released his first 12″ through Basement Boys Records in 1995, the energetic gospel house cut “A Feeling”. This was the first in a lauded series of releases for the label that brought Spen commercial and dancefloor success over the next decade, earning him international recognition as a house music pioneer. In 2004, DJ Spen split from Basement Boys, releasing through Black Vinyl Records and his own label Code Red before founding his second imprint Quantize Recordings, which has since become a regular outlet for his music. Alongside his own productions, DJ Spen has built a reputation as a talented and prolific remix artist, putting his own unique stamp on pop anthems from Diana Ross, Michael Jackson, Everything but the Girl, Toni Braxton and more. If that isn’t enough, he’s still spinning eclectic and soulful jams in clubs across the globe, further establishing his status as an eminent figure in house music, both past and present.

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TRUE HOUSE STORIES W/ KEN WALKER AKA KEN@WORK # 079 - PART 1
Ken@Work is the alias of Melbourne DJ & Producer Ken Walker. Ken shares with us his beginnings from starting in grade school as a disco DJ. His first chance of playing music for a crowd was when his school had a dance and he was put to the task to spin the music. He finds a nitch with a South African DJ living in Melbourne that had all the new promos from USA. This is how he figures out what direction of music he is going to play and how to mix it. He then is working as a stage hand on the live circuit around Australia and this is the first taste where he works with bands from USA, and Europe.

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TRUE HOUSE STORIES W/ FREDDY BASTONE # 063 - PART 2
Danceteria legend DJ Freddy Bastone shares what the NYC Club life was like back in the 1980s. His work in the studio remixing during the day earns him the gold and platinum awards for his special Bastone remixes. Freddy also gets to work on one of the greatest bands of all time Queen and meets his hero Freddie Mercury. He talks candid about his friendship with Larry Levan, Bob Caviano and Larry Yasgar and all the records he helped signed as an A&R for the labels he had personal relationships with. The interview is a deep discussion and nothing is held back.

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TRUE HOUSE STORIES W/ MIKE DUNN # 080 - PART 1
Chicago house music legend Mike Dunn, has been DJing and producing music for over twenty years. Hailing from Englewood, Chicago, Mike started out DJing at the local block parties that took place playing disco, funk, soul and prototype Chicago house tracks. “I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live.

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