TRUE HOUSE STORIES W/ BENNY SOTO # 088 - PART 1
For Benny Soto, it began, as it has for many New York club land veterans, with a visit to 84 King Street in downtown Manhattan. He says, “I had already been going out, but the first clubbing experience that really mattered was the Paradise Garage…just walking in there, it looked different, it sounded different, it felt different. As soon as I walked in, I knew I was home.” For Soto, then a poor kid from the South Bronx, the Garage opened up a whole new world. It was through the club that he met, and befriended, the late Keith Haring, eventually serving as the iconic artist’s studio assistant. It also expanded his aural horizons: “Because of the way that Larry Levan played,” Soto says, “I became more musically open-minded.” But perhaps importantly, the Garage provided an avenue for escape. “Back then, I didn’t have much joy in my life,” he admits, ‘Clubbing gave me a way to get away. Places like the Garage, though they were primarily gay, were so inclusive; it didn’t really matter who you were, what mattered was the freedom that you could find there.” And that feeling—that passion for freedom, both musically and personally—would set Soto on a path that has led to a lifetime in club land. He had no idea that it would also lead to a career, but even in those early days, he recalls, “I was very curious. If I was at a club, I would be checking out the sound and looking at the lights, trying to see how it all comes together -it was like a Broadway show, except the show was the crowd itself.” Eventually he secured a gig doing odd jobs at another iconic address, 6 Hubert Street, only blocks away from the Garage. The spot had once housed Area and Club Shelter; during Soto’s time there, it was Vinyl, home to the iconic Body & Soul. It was Body & Soul resident Danny Krivit who convinced Soto to take the next step. “He said to me, ‘I think you should be a promoter. People like you, and you have great energy. You’d be good at it.’ Of course,” Soto adds, “I had no idea what ‘being a promoter’ even meant!” Listen to him tell you what he learned and how you should be..

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TRUE HOUSE STORIES™ W/ MOUSSE T. # 058 - PART 2
Mousse T forms a band with long time business partner from the UK Erroll Rennalls. As they have moderate success with Pop House Music, this is the beginning of them forming the label Peppermint Jam. As the label unfolds and Mousse T sound grows in popularity, he is summoned more and more to remix many A List Pop Stars such as Quincy Jones, Jovanotti and one being Michael Jackson. As he will explain from Michael Jackson's Remix that this is the blueprint that becomes the song "Horny." He also shares how he meets Tom Jones and how "Sex Bomb" was created and written. Make sure to listen to how Mousse works on his productions and the DAW he is using.

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TRUE HOUSE STORIES™ W/ ULTRA NATÉ # 049 - PART 1
Ultra Naté - ultra savvy. Hear Ultra’s take on the covid pandemic from a medical perspective- probably the best outlook on such a troublesome time which has severely impacted the music industry and arts. Ultra Naté lays out how she has evolved to keep in tune with how the future land lies.
Hear about the pitfalls of signing contracts in the music industry and how Ultra has ‘fallen up’ from those times. She shares with us her beginnings from a club kid to singer and locking her first contract down to becoming a superstar in dance music from the late 80’s into the 1990’s

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TRUE HOUSE STORIES W/ JOHNNY “D” DE MAIRO (HENRY STREET RECORDS) # 070 - PART 2
Johnny D De Mairo in this part speaks about his professional music life, the beginnings of Henry Street Music, his promotions duties at SIN Promotions, and to eventually being hired to work at Atlantic Records in Crossover A&R Promotion. He shares with us what the responsibilities are expected when you are working to hold down these positions. He signed one of the most incredible songs in dance music The Bucketheads “The Bomb” to his label Henry Street and was an A&R consultant on all the remixes that he managed to put under his belt working with the best in the game from Armand Van Helden, Louie Vega and Kenny Dope, E-Smoove, MK and so many others. He explains the story of Everything But The Girl “Missing” with Todd Terry and tells us the behind the scenes of how Tori Amos “Professional Widow” and Armand Van Helden Mix went to the stratosphere. One of the best shows to date.

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TRUE HOUSE STORIES W/ BENNY SOTO # 088 - PART 2
Benny Soto quickly learned, and learned from one of the best; the late, great super promoter Rob Fernandez. “The first big thing we did together was Roger Sanchez at Vinyl. I can even remember the date: 2/2/02. I was learning so much—contracts, dealing with managers, hospitality riders, everything.” Soto continued working with Fernandez until his sudden passing in summer of 2015—but at the same time, he was gaining the confidence to branch out on his own. Danny Krivit was an early partner (2002), teaming up with Soto to launch what became the still-vibrant 718 Sessions; another stone-cold vet, DJ Harvey, was an early accomplice as well. From its inception, until its closing, Soto was an integral part of the promotion and bookings team at the now revered, and recently closed, Output in Brooklyn, NY. The dates started coming fast and furious—flash forward to today, and Soto, who currently spends his time promoting shows around NYC and juggling various independent projects, is in the very top tier of NYC’s party wranglers. So what’s the next step for a guy who’s spent the better part of his life in dance clubs? DJ’ing, of course! “I’ve been going out and listening to DJs for 30 years,” he says, “and after that amount of time, I think you almost have to learn something. You gain a sense of what to do.” But as anyone who has spent time in the DJ community knows, there can sometimes be attitude toward those perceived as usurpers. “Sure, there’s been a bit of controversy, like people asking, ‘Oh, so now you’re a DJ, too?’ I just answer, ‘No. I’m Benny Soto.’ I’ve given my life to music, and this is just another layer of that life.” Nowadays, you can find Soto opening up for superstars or holding it down at after-parties, often spinning back-to-back with his fellow dance-music lifer, Nervous Records label head Mike Weiss. “Very few people have the legacy that Mike does,” he says. “I mean, the Nervous catalog…those were some of the songs that shaped the sound of global club music.” But Soto’s got his own musical identity as well. “I love to play music that feels good to me, that matters to me, that say something to me. Danny Tenaglia said the best thing to me: ‘You have to listen, and you have to find the candy.’ And that’s what I try to do—find music that’s special, that can take you to a different space.” Watch his life for Act 3 “The Final Curtain Call"

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TRUE HOUSE STORIES W/ PEDRO MONDESIR # 065 - PART 2
In this episode he explains the beginnings of creating the party. Pedro is the head of Hot Stepper Productions with his brother and partner Carlos. Pedro also DJ’s under the pseudonym Moreno. Hot Stepper Productions is one of Toronto's premier club event companies operating for over 20 years. Currently Hot Stepper organizes Toronto's top deep/soulful house event "Garage 416" which has been rockin' it for over 15 years. He also organizes the soulful/funky "Bump N' Hustle" event for the last 18 years and continue to present soulful, jazzy, leftfield, electro, Afro and Brazilian vibes to the Canadian audience.

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TRUE HOUSE STORIES® W/ PAUL IBIZA # 110 INTERVIEWED BY LENNY FONTANA

Paul Ibiza is the man responsible for bringing the world the legendary records label Ibiza Records, he is the promoter that organized cutting edge events Fantastic Ibiza, Jungle Splash and MC Convention to name but a few. More recently Paul aka Digital Niyabinghi has been producing “Jungle Dub” and taking his Digital Niyabinghi Sound System on tour. Although Paul could be labelled as a Producer, Promoter, DJ, Label owner, Paul simply describes himself as an entrepreneur within the music industry.

Paul got started in the rave business in 1988 around the time of events such as Sunrise and Genesis were putting on raves in fields and warehouse in the London region. Although Paul actually got started in 1988 his journey started way before in the early 80’s in the days of Soul II Soul and Paul Anderson among other house and warehouse parties which is where Paul was first influenced by the Reggae and Soul played at these parties then known as or “Blues” or “Shebeens” (Shebeen being the Irish term for an illicit bar or club where excisable alcoholic beverages were sold without a licence). In 1989 Paul was involved in organising the ‘Freedom to Party’ rally in Trafalgar Square which aimed to relax licensing laws in order to allow nightclubs to stay open longer. Paul then started promoting the ‘Fantastic Ibiza’ raves in Goods Way, Kings Cross with DJ’s such as Carl Cox, Colin Dale, Kenny Ken, Grooverider. Many of these weekend long parties were attended by upwards of 3000 people and did not always have an entry fee but rather the money was made by donations and drinks sales.

After the Police attention was getting excessive due to overcrowding both inside and outside the venue in Kings Cross, Ibiza records was born in 1989 after Paul went to the Balearic Island of Ibiza and ended up breaking his leg. While Paul was immobile he started learningPaul Ibiza how to produce music using Cubase on the first Ataricomputers capable of sequencing music along with an Akai S950 sampler and Spirit mixing desk.

Soon Ibiza Records would set up their offices and studio in Hornsey, North London. When Ibiza records first begun they were making Techno, Hardcore and House types of music, coupled with Dub & Reggae influences the music now known as Jungle emerged which Ibiza Records was championing along with labels and artists such as Shut up and Dance, Rebel MC, Reel 2 Reel and a Guy Called Gerald. Ibiza Records went on to establish a number of successful spin off labels such as Boxbase, Highly Blessed, Hard Plastic, Three Lions, Kemet, 3rd Party, Limited-E. Paul also opened up a record shop ‘Ibiza Records’ in Kingsland Road, Shoreditch, London in the early 90’s. In 1994 Jungle Splash was born and still continues to this day. Paul’s vision for Jungle Splash was to showcase the best of Jungle music much like an exhibition for the scene. Jungle Splash has moved from many venues over the years such as The Rocket complex in Holloway, Roller Express, The Mass and is currently held at Jamm in Brixton, London. In 2003 Paul promoted the MC Convention event convention under the ‘Highly Blessed’ brand in conjunction with Mc Shabba and Skibadee.

The event met with some resistance from some people that thought putting the focus on the MC’s as opposed to DJ’s was bound to ensure that the event would flop. To the contrary, all tickets to the event at the Stratford Rex sold out and MC Convention toured Birmingham, Cardiff, Southampton and Essex. Paul’s latest innovation is the new sound he calls “Jungle Dub” and has been touring with his own Digital Niyabinghi Sound System which goes back to the roots of Jungle and Dub. The Sound System features artists such as Winston Runtingz, Uncle Dugs, Junior Dangerous, Ragga Twins, Potential Bad Boy, Terry T, MC Moose, Beefy and Daddy Nature and of course Paul ‘Digital Niyabinghi’ himself.

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TRUE HOUSE STORIES™ W/ DJ DISCIPLE # 041 - PART 1
David Banks professionally known as DJ Disciple shares with us his family life and the success his brothers had in the music industry and in the church. Listen to Disciple explain his beginnings from being bussed to school in a different area of Brooklyn to becoming a drummer and then off to becoming a DJ and his start on College radio.

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TRUE HOUSE STORIES W/ CRYSTAL WATERS # 071 - PART 1
Crystal Waters a true icon in house music speaks about her humble beginnings from a young child and being exposed to some of the greatest musicians because of her dad who was a famous jazz musician. She toured with her dad as a young artist and was able to get an education of what it is like to be an artist. As she finished college she takes a job with the State, at the Parole Board. Hungering to write music she hooks up with a keyboard player and they begin to start writing demos on a 4-track recorder. She then proceeds to go to a music conference in her hometown and is attracted to the Basement Boys because of their leather jackets that they were sporting at the time. She hands them her cassette demo and the rest is history. "Gypsy Woman" is created and a deal is signed. Crystal shares with us how her life changed from that moment the single dropped and became a huge pop hit.

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TRUE HOUSE STORIES™ W/ BIRDEE # 033 - PART 1
By no means a newcomer – but a fresh face on the disco scene, over the course of the last decade Birdee has been extremely active in the dance music world – playing the most prestigious venues and festivals around the globe, collecting support from the world’s biggest players, and even picking up an award for Best Breakthrough DJ at London’s Fabric.
His music is supported by a veritable who’s who of dance music: DJs as diverse as Groove Armada, Purple Disco Machine, Horse Meat Disco and Claptone have all been spinning his tracks, while radio support has also been outstanding – as a matter of fact, Pete Tong recently opened his show with Birdee’s most recent single Start The Weekend.
Birdee began his career producing Breakbeat tracks and his first visit to the London at the music & Media exchange was a turning point in his career, when he began DJing.
His 1st disco track was signed by Andy Williams and since then Birdee has had many more immense tracks signed to prestigious labels such as Midnight Riot and Seamus Haji’s Big Love.
Birdee currently has 4 tracks in Traxsource Top 100 Nu Disco chart and has held on to #1 position in the chart with ‘What You Need’ for the past 2 weeks.
Hear about how Birdee has survived over the pandemic and what he has in store for us all from his time spent in the studio during lockdown. Expect many more superb remixes and original releases from this incredible producer coming out very soon, so watch this space! Birdee is on point and is rocking the Nu- Disco scene with his music and hopes to travel the world to DJ again, once lockdown is over.

Video Chapter:
0:00 Welcome to True House Stories with Birdee
2:38 Who has the best food? Italy, Japan or America
5:10 How did music find the young Birdee
10:25 How big was the italian disco house scene
16:00 The real name of Birdee

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TRUE HOUSE STORIES™ W/ BILLIE RAY MARTIN [ELECTRIBE 101] # 050 - PART 2
Billie Ray Martin shares her experience working with Electribe 101 and because of her success with both S-Express and Electribe 101 with scoring chart hits she appeared numerous times on the UK Show Top of The Pops. Hear about how Manager Tom Watkins tried to break up Electribe 101 and then the group was dropped from there recording contract. After leaving Electribe 101, Billie was unemployed but made various demo vocals including her super hit „In Your Loving Arms" which was then signed 2 years later because of a live gig in London she performed at and the record executives from Magnet Records were in attendance. That signing landed a huge successful record in the USA with Junior Vasquez’s Remix and WKTU FM 103.5 FM playing “In Your Loving Arms” which then became a huge him in the USA. Billie was catapulted into the limelight for her vocal abilities and wound-up living in New York for a moment. Hear Billie’s very honest outlook about the new digital world of music and how corrupt it is.
Watch out for Billie’s brand new single released on Friday An unreleased Frankie Knuckles - ‘'Hiding For the Night’' by Electribe 101, and 3 other albums due for release later this year.

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TRUE HOUSE STORIES™ W/ E-SMOOVE # 016
In this show, Lenny Fontana is joined by Chicago’s House Legend - E Smoove for a no holds barred interview on becoming a successful DJ and Producer in the heart of the House Capital - Chicago. He tells it all from the humble beginnings to his rise to fame and the artist pseudo names like "Thick Dick" on Subliminal Records. Listen to him tell the stories of working on remixes for Michael Jackson and many other countless pop artists. Expect the shocking truth about record deals, the competitive world of dance music in Chicago and how to make a name for yourself in the music industry.
Warning: This is a very raw, honest and open interview that will blow your mind!!

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TRUE HOUSE STORIES W/ JAZZY M # 062 - PART 2
Jazzy M talks about his record shop called OHZone Records and the beginning days of his record label. He also shares the background story of Richie Rich "Salsa House" and the signing of Orbital "Chimes" to his label OhZone. Jazzy shares the background story of Ministry of Sound and him being a big part of the start of it all. He sets the record straight in so many ways. Grooverider renamed Jazzy, "The Godfather Of UK House" The story is deep and full of so much rich dance music history.

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=========================================
► DESCRIPTION:
DANIELE SEXXX FEAT. PAULA P´CAY - LIFT ME UP
Lift Me Up is being played by DJ's who where serviced early on the Todd Terry's Remix and Lenny Fontana's Remix. The support on this gem has been overwhelming and we believe that this song has the makings of becoming a dance floor anthem. This is House Music at full effect. DJ Producer Daniel Sexx has been writing and producing house and hip hop since the 1990's with splendid success. With the help of Karmic Power he was able to team up with Romanian Born Vocalist Paula P'Cay from Berlin Germany. Paula has had commercial success with The Love Parade Anthem back in 1999 “Music Is The Key” Produced by Dr. Motte and Westbam. Her philosophy is, “Music is her life”, and she transports those strong feelings of Love and Happiness to the people through her vocal talent. So with “Lift Me Up” please play it loud and say it, so that the people can be lifted to whole other place. Thank You For Your Support on this.....

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► CREDITS:
Catalogue: KPR 029
Label: Karmic Power Records
Labelcode: LC-51694
Artists: Daniele Sexxx Feat. Paula P´Cay
Track: Lift Me Up
Producer: Sesso Daniele
Written: Sesso Daniele, Paula Popescu-Kehnen
Publishing: Karmic Power Publishing (ASCAP), Sesso Daniele, Paula Popescu-Kehnen
Copyright: Karmic Power Records
Barcode: 5054281289475
Original Mix - ISRC: QM-HDW-13-00092
Instrumental Mix - ISRC: QM-HDW-13-00093
Todd Terry Remix - ISRC: QM-HDW-13-00094
Lenny Fontana Remix - ISRC: QM-HDW-13-00095
Lenny Fontana Instrumental Remix - ISRC: QM-HDW-13-00096
Todd Terry Radio Mix - ISRC: QM-HDW-13-00098

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TRUE HOUSE STORIES™ W/ ALEX LOWES # 042 - PART 2
Alex Lowes shares with us back in the old days how he would travel to the USA to search for the top A list talent and offer to them to the original Southport Weekenders. He also touches on his new venture coming up called Beautiful People and his successful Suncebeat parties in Croatia and all the fun times they had at those events. Alex is hopeful that things will start to turn on again in the near future, post covid. He also reminisced about the Manor Borne days and how all the great lineups he had on those Sunday parties. We wish him the best in his next ventures.

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TRUE HOUSE STORIES W/ JENS LISSAT # 068 - PART 2
Jens Lissat in this part talks about his life in the music business. He picks it up from Disco and how he works his way into getting different residencies in other cities in Germany. He also self learns editing with the cassette pause button. The next phase of his life will be “The Megamix” His first professional job comes from WEA and they ask him to work on Phil Collins with three of his songs to make a Jens Lissat Megamix. This is when he meets his first studio partner and learns the principals of the music business. Here he now begins to work on productions of which a few go to the main charts. He decides to take another turn in the early 1990s and start producing techno. His fame grows and grows. Jens eventually meets his last production partner Voltax and until 2006 they work together on joint projects. There is so much inside this legendary DJ watch his whole story it is interesting and captivating.

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TRUE HOUSE STORIES™ W/ NORMAN JAY # 008
This episode has to be one of those incredible interviews. Norman Jay MBE walks us through his life's path from a young boy discovering music from his father and then to become the very popular and well sort out DJ in the 1980s and even through today. His story is moving and there may eventually be a full movie made about it. Tune in to catch this True House Story by one of UK's Elder Statesman.

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TRUE HOUSE STORIES™ W/ THE RITCHIE FAMILY # 017
The Ritchie Family were the very first female disco group who have the most incredible ‘True House Stories’ to tell. In this episode, they speak very honestly and openly about the trials and tribulations of record deals. They reveal many unknown facts such as working with legends such as John Lennon no less and how it was touring the world.
This is a must watch for all of you that respect and follow the original disco acts. So many unheard before stories about the success of The Ritchie Family as well as the many pitfalls they faced along the way.

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TRUE HOUSE STORIES™ W/ MARK RILEY # 052 - PART 1
Mark Riley is an American journalist, come watch and listen on how he shares with us his humble beginnings finding a whole new life in the New York City night club scene from the very early days as a young man. He explains in this episode his day-to-day responsibilities as a radio journalist at WLIB. Mark is introduced to David Mancuso’s The Loft from fellow close friends and from there his whole musical life changed. The way he heard music and experienced it would never be the same. He became lifelong friends with many that frequented the same clubs he did. At The Loft he meets another young DJ that changes the scene forever Larry Levan. Listening and watching Mark explain everything is like a who’s who, and history lesson all wrapped up in one.

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TRUE HOUSE STORIES W/ FREDDY BASTONE # 063 - PART 1
Freddy Bastone in part 1 shares his beginning from playing a flying V Guitar and the true admiration of rock music and sharing the appreciation of all types music with his mom and dad. His DJ career begins back in 1979 with his first vinyl purchase of Herb Albert’s “Rise” and he begins to play at parties and the move to clubs starts to takes off from there. He also shares how his job at Danceteria begins. This is a true NYC story.

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