Greg Wilson interviewed by Lenny Fontana for True House Stories™ # 023 (Part 2)

TRUE HOUSE STORIES™ W/ GREG WILSON # 023 - PART 2
Greg Wilson (born 1960) is an English DJ and producer associated with both the early 1980s electro scene in Manchester and the current disco / re-edit movement. He's also a writer / commentator on dance music and popular culture.

1993–2003
The following decade was something of a wilderness period for Wilson, but in 1994 he revisited his electro-funk past, compiling the Classic Electro Mastercuts album. This would generate a small number of DJ bookings, his first in 10 years, in promotion of the album.
In 1996, he was part of a collective of DJs and musicians who promoted a series of nights called The Monastery in Birkenhead, Liverpool and London. A mix, The Monastic Mix, was the last he ever put together on reel-to-reel.

2003–present
DJ comeback
Alerted by the lack of documentation of the specialist black music scene that had helped shape contemporary dance culture, he announced the website electrofunkroots.co.uk in 2003. The site documents the early '80s era, what led up to it and what came out of it. Offers of DJ bookings followed and on 20 December 2003 Wilson made his DJ comeback at a night called Music Is Better in Manchester club The Attic. This was the launchpad that re-ignited Wilson's DJ career 20 years on from his retirement. As his popularity increased, he appeared throughout the UK, Europe and the world, gaining newfound followers from a new, younger generation of clubbers.
In 2005, his re-edits compilation Credit to the Edit, released on the Tirk Recordings label, was the catalyst for his international success, helping to establish him, once again, as a scene leader.
Apart from working as a DJ and remixer, Wilson has written on various aspects of dance / black culture with articles published in magazines / webzines including Wax Poetics, Clash, Grand Slam, Strobelight Honey and Discopia. His Discotheque Archives series for DJ Magazine ran for 25 editions between 2016-2018.
His blog, Being a DJ, was launched in June 2010, and his observations on various aspects of club culture are now an online touchstone for dance music enthusiasts. Wilson has also been interviewed for a number of books, TV and film projects focusing on the history of club culture.

Musical output
Credit to the Edit Volume 2 was released in November 2009, with tour dates throughout the following months in the UK, Europe, Japan, Australia and the U.S. to promote the album. The series returned in April 2018 with Credit to the Edit Volume 3 and during that year Wilson became more active in the studio, working on various remix and re-edits projects, including some collaborations with his son Ché Wilson, the first of which to be released was a remix of "Out the Window" by Australian band Confidence Man, released on Heavenly Records.
Wilson has produced a series of documentative podcasts, Time Capsule, Random Influences and Early 80s Floorfillers, as well as the long-running blog series, Living to Music, where people were encouraged to listen to a monthly album selection in their home environment. This served to influence other related listening events, including Colleen Murphy's Classic Album Sundays audiophile sessions.
Commencing in 2009, Wilson had built a strong following on SoundCloud with regular uploads of DJ mixes, mainly live recordings, with over six and a half million plays up to 2019.

In addition to his DJ work, Wilson has given talks on music and dance culture at numerous events including Afro Modern at Tate Liverpool, Vintage at London Southbank, Salon at Standon Calling and Festival N°6 and alongside legendary figures Nile Rodgers and Giorgio Moroder at ADE in Amsterdam.
Source: Wikipedia

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