80s Greatest Hits - Best Oldies Songs Of 1980s - Oldies But Goodies 88
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80s Greatest Hits - Best Oldies Songs Of 1980s - Oldies But Goodies 7896
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80s Greatest Hits - Best Oldies Songs Of 1980s - Oldies But Goodies 2005
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80s Greatest Hits - Best Oldies Songs Of 1980s - Oldies But Goodies 2604
80s Greatest Hits - Best Oldies Songs Of 1980s - Oldies But Goodies 2604
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In today's video, Patrick Bet-David talks about what it really takes to dominate your industry.

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Every entrepreneur has a Good Voice and a Bad Voice that they battle on a daily basis. This short film "Good Voice, Bad Voice" is an original depiction of the mental battle of an entrepreneur by Patrick Bet-David.

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Patrick Bet-David, the creator of this channel has decades of experience, unique perspectives and experience that he wants to give back to the world of entrepreneurs.

For a transcript of The Mental Battle of an Entrepreneur, visit http://www.patrickbetdavid.com/mental-battle/ Sometimes the life of an entrepreneur's filled with a lot of people that will tell you things that make no sense. Which voice will you listen to?

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TRUE HOUSE STORIES™ W/ TYREE COOPER # 034 - PART 1
Tyree Cooper the awesome super dupa producer, grew up in Chicago, starting out as a top Basketball Player but left to focus on music producing and Djing. Tyree began working with Mike Dunn but after a disagreement they initially parted ways but reunited at an event called Earthquake for freestyle battles which attracted over 500 people to the shows, packing out the club and the overspill of revellers took to partying on the streets outside. In the years of 1984 till 1986 these were Tyree’s most prominent production years. Chicago House music was his vibe and Tyree became a legend on the drum machine Roland TR-808. Tyree was turning out 4 tracks per night whilst continuing to work during the day, he worked 12 hours per night in the studio. Tyree was signed to DJ International Records and they would pay him $50 per drum beats and was even told by Larry Sherman of Trax Records that his music sucked! All of the tracks he produced were credited to Rocky Jones and all of his tracks according to management were not selling. Little did Tyree know that he had produced some huge hits but was never truly informed. Luckily for Tyree his hit record contracts were just 2 years long so to this day, he actually owns most of his music. 

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Dr Packer interviewed by Lenny Fontana for True House Stories # 086 (Part 2)

By The year 2013 Greg began mixing entire sets from CD therefore searching for music online , he started picking up re-edits, a certain artist stood out to him known as the 'Late Nite Tuff Guy' he loved the way the original songs were beefed up and sounded fat on a club system but the original vibe was still there , also these edits were quantised perfectly meaning you were able to beat mix them flawlessly unlike playing the original vinyl...
In August 2013 Greg Produced his first two edits under the name 'Dr Packer' which was 'Keni Burke - Rising To The Top' and 'Hall & Oates - I Can't Go For That' unsure of what to do with them he sent them to 'Fingerman' he instantly played both of them on his show and suggested to send more his way , this was the push he needed to continue what was initially a bit of a fun experiment...
Labels Such as 'Defected , Glitterbox , Z Records , Masterworks , Disco Dat , Hot Digits & Midnight Riot' have all shown plenty of love for the doctor and most recently 'Salsoul' records have requested 2 EP's to be be released officially so things wont be slowing down anytime soon... Most releases so far have reached the number one position in the sales charts on most of the online stores and received support from DJs such as 'Dimitri From Paris , Joey Negro , John Morales , Greg Wilson , Late Night Tuff Guy , Simon Dunmore to name a few.

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Dr Packer interviewed by Lenny Fontana for True House Stories # 087 (Part 1)
Dr Packer is an alias of West Australian DJ/Producer 'Greg Packer' set up for Remixes & Edits of mainly retro music such as 70's , 80's , 90's Soul , Disco , Funk , Hip Hop & Reggae , Greg although known more for 'Liquid Drum & Bass' regularly plays sets of 'Old School Funk , Disco , Hip Hop Etc' purchasing his first record in 1982 at the age of 10 'Grandmaster Flash - The Message' whilst still living in the UK (Northampton England) greg grew up listening to his mothers disco records (had no choice really) as a child in the 70's it wasn't uncommon to hear music such as 'Ain't No Stoppin' Us Now' or 'And The Beat Goes On' played in the house so the disco thing really was his first introduction to music , records became his life and has collected approx 25,000 over the years...

Shortly after whilst still living in the UK greg was exposed to a record label called 'Street Sounds' ran by 'Morgan Khan' he began collecting the 'Electro Series' and 'Street Sounds Series' and a regular follower of 'Mike Allen's - Capitol Radio' show in London , he was a full blown 'B-Boy' and Hip Hop Junkie , he even won a breakdancing competition in 'Lowestoft England' back in 1985

Moving on to the 90's shortly after emigrating to 'Perth Western Australia' greg purchased his first pair of decks in 1989 making this year his 28th year behind the decks , in 1991 he won the WA DMC's and defended the title in 1992 but by this time greg preferred Club Dj-ing and longer sets rather than a 5 minute scratch battle routine...
Greg then moved onto 'Jungle & Drum & Bass' music in the early 90s and often regarded as a pioneer of that sound in Australia winning many awards and went semi global touring (UK , Europe , Asia , New Zealand & Australia) several times playing alongside heavyweights such as 'LTJ Bukem & Carl Cox' to name a few...
In 1998 Greg took up production and set up his own studio running his own label 'Interphase Music' He produced over 100 tracks & remixes under the name 'Greg Packer' and was signed to many other labels in the UK & USA including LTJ Bukem's'Good Looking Records’

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TRUE HOUSE STORIES W/ DAVE BEER # 081 - PART 2
In this episode you will hear Dave Beer explain the faced post-warehouse party world with the DIY ethos of a punk direction helping to create Back To Basics in 1991 which it was named literally to represent what the club was set out to do. Partners Beer and Alistair grew tired of the acid house scene and wanted to put on parties, where alternative music to the rave scene was played. Through Back To Basics, they made club nights fashionable, and throughout the 1990s it was one of the most desirable places to go, causing road blocks in Leeds city centre. At the time, Back to Basics had a strict, sometimes controversial and inconsistent door policy which made it one of the hardest clubs to get into. Beer personally greeted all 80 clubbers on the opening night and those who were refused entry due to their dummy sucking or poor choice of trainers were encouraged to try harder next time. Its opening night was held on the top floor of The Chocolate Factory, which was later renamed, The Music Factory. Weeks two and three of Back To Basics saw the crowds double in size until it was attracting 1,000 clubbers every week. By Nov 1992 at the end of its first year, Dave and Alistair found themselves on stage at the Royal Albert Hall, looking out to a packed auditorium as they picked up the DMC and Mixmag Award for Best Club in the UK. Over the next 20 years from 1991 to the present day, Beer toured Back To Basics all over the world from Australia to the USA and held club residencies at Home London, and Space Ibiza. He was responsible for nurturing and discovering the talent of Daft Punk, Basement Jaxx and Groove Armada giving them some of their first gigs as unknown artists. Beer was also responsible for bringing international talent into the UK for the first-time including Danny Tenaglia, Doc Martin, Josh Wink and Frankie Knuckles. Back To Basics holds numerous awards from the music and events industry and has gained worldwide recognition thanks to its forward-thinking music policy and loyal following. Today it is considered a "household name" in UK clubbing and Beer continues to be "the life and soul" of the Basics party. Listen to breakdown the next 20 years in this episode.

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#DaveBeer #TrueHouseStories #MusicDocumentary #LennyFontana

This was a discussion that took place at Karmic Power Studio with two of the finest guys of Brooklyn’s First Generation Dj’s. Bacho Mangual and Richie Condina being interviewed about the behind the scenes of what life was like around the late 1960’s and early 1970’s for the BBC Radio. The disco craze that swept the nation in the United States after the release of the movie Saturday Night Fever starring John Travolta had changed nightclubbing forever. These two guys paint the picture of how simple life was and how things started to formulate in the discotheques in Brooklyn and Manhattan. Please enjoy and comment freely.

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TRUE HOUSE STORIES™ W/ MAURICE JOSHUA # 051 - PART 2
Maurice Joshua shares how he decided to leave ID Records and starts his new venture called Vibe Records with recording artist and partner Georgie Porgie. From there he moves on and creates other sub labels. His remix career flourishes and he sets up his new management company with his manager Connie V, and from there Beyonce and Destiny's Child working relationship begins. Listen to Maurice tell you how this partnership with him as the remixer and bringing in all the R&B artists developed into this huge success, to the point of winning the Grammy Award for Best Remixer Of The Year.

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TRUE HOUSE STORIES™ W/ BEN LIEBRAND # 024 - PART 2
Ben Liebrand (Dutch pronunciation) (born 27 September 1960 in Nijmegen, the Netherlands) is a Dutch dance music DJ and remixer. He has produced for artists such as Forrest and MC Miker G & DJ Sven and remixed tracks by artists such as Michael Jackson, Salt-N-Pepa, Sting, TLC, Fun Fun, Tavares, Bill Withers, Frankie Valli & The Four Seasons, George Aaron, Rick Astley, SWV and Phil Collins. He has also charted under his own name, an example of which was Ben Liebrand's version of "Eve of the War". His radio show "In The Mix" was the first non-stop mixed show that aired on Dutch National Radio in 1983. Early listeners were Armin van Buuren and Tiësto, who have cited Liebrand as their main reason for entering the music business. "In The Mix" also spawned an annual yearmix with 100+ tracks called "The Grandmix." The first series of Grandmixes aired from 1983 to 1992 and later versions from 1999 on are also released on CD.
Liebrand began his DJing career in 1976 at the age of 16 with his mobile set-up, "The B. Liebrand Audio Studio", playing parties around his hometown of Nijmegen. Two years later, when he became old enough to frequent nightclubs, he moved from mobile discos to a nightclub residency, playing in "Juicy Lucy" nightclub (1978–1979). At this point, he was still letting one record play into another without beatmixing; however in 1979, he began a residency at "The Kwien" (pronounced 'The Queen') nightclub (1979–1980). During this time, Liebrand learned the art of mixing from Kwien resident Huib Luiten.
At his longest residency to date at "The Keizer Karel" (1980–1988) played a five-hour set each night after the club first opened. He continued DJing with his sister Rita Liebrand, at "The Hippodrome" Hennef, Germany (1990–1995). His last residency was in the club "Disco Inferno" (2000–2004). Ben is still active as a DJ having specialised in doing key-mixing on 4 Pioneer CD players simultaneously.
In 1997, Liebrand released "Funky Town" and in 1998 began negotiations with Dutch radio-station Radio 538 (an offspring of Radio Veronica), the result of which was the re-broadcasting of all the Radio Veronica "Grandmixes" the last Saturday of the month throughout 1999. The final intention was to broadcast a brand-new "Grandmix" in December 1999, a "MillenniuM-Mix", containing the greatest dance tracks of the century. Liebrand was invited to produce a mid-year summer Grandmix and an end-of-year Grandmix for Radio 538. On 31 December 2001, a three-part "Grandmix" was broadcast, followed by a "Grandmix Disco Edition" on 23 August of that year. "Grandmixes" were broadcast in the summer and end-of-year of 2002 and 2003.
In 2004, Liebrand returned to Radio Veronica for a two-hour weekly mix. He makes Grandmixes available in a new format on 3 CDs on his website and has his 'In The Mix' show on Radio Veronica.
Until 2018 Grandmixes were available on CD every year. Due to licensing problems which occurred through changes in the music industry in 2019, there was no Grandmix available on CD in 2019. Instead Liebrand changed the concept to a three-hour (2:59:33) long mix called "Grandmix Decade Edition" which covers more than 250 songs of the years 2010–2019. It was broadcast on Radio 538 and Radio Calletti on 31 December 2019 from 18:00-21:00. Listeners have been very happy with this mix returning to the fast mixing style of the early days of Grandmix free of any licensing blockages using all available material to the artists choice.
Source: Wikipedia

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TRUE HOUSE STORIES W/ COLIN HUDD # 089 - PART 2
Ever since dance music first swelled up in the UK, Colin Hudd has been riding the crest of the waves. Beginning his monumental journey, with humble beginnings working as a mobile DJ from 1971 to 1976, This laid the foundations of his DJ career today. Colin began a residency in 1976 at ‘The Monica’ on Canvey Island, a year later gaining another residency at ‘Wings’, Gravesend End. After passing an audition, Colin moved from ‘Monica’ to ‘Goldmine’, a residency he kept until 1981. In those days Colin had already established a respected reputation among the soul and funk clubs of the time. He had been a regular at Canvey’s legendary ‘Goldmine’ and was still on a high from winning the ‘Blues & Soul Club’ DJ award. His profile gained momentum enough for him to be noticed and given his now legendary run at ‘Flicks’ which ran from 1978 through to 1987. But, from as early as 1986, when the rest of the world was still listening to soul and the new romantics, Colin had already started leaning towards an entirely new genre of dance music. Little did he know that the music he had recognised as something more than a ‘fad’ would become the global phenomenon it is still today; House Music. Colin has always been ahead of his time. From when he discovered house music in 1986 when he was advised to leave this new ‘noise’ alone and stick to the soul that had worked so well for him, but, going with his instincts; he found himself pioneering a dance revolution. His technical ability and creative foresight enabled him to go on to headline landmark clubs such as Heaven, Legends, Ministry of Sound, World Dance, Pure Sex, and Spectrum/Land of Oz. Even bigger events were round the corner. His residency at Spectrum found him working alongside Paul Oakenfold a man he remains good friends with today. By that time house music had begun to take hold and Colin and Paul found themselves playing to packed dance floors night after night, Leading to Colin and Paul supporting U2 on their Zooropa tour. It was inevitable that Colin would turn to producing his own music. He worked as the Manic MCs and Audio Deluxe, whilst remixing PP Arnold, Billy Idol and a host of other well-respected artists.

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TRUE HOUSE STORIES™ W/ DJ PAULETTE # 054 - PART 1
Dj Paulette story begins with her mom being a singer and club owner. While she was pregnant carrying Paulette she went into labour on stage and finished her whole set with the band and delivered Paulette and her Identical twin sister Paula. Born into a family of eight siblings and parents who were music lovers which played a huge influence on Paulette’s career in music.
She learned to play violin, piano and saxophone. Paulette wound up playing violin in orchestra until age of 15. She started clubbing at the tender age of 15, her music collection is very eclectic but a true representative of her personality. Melody, vocals and bass lines were key to her sound - music to make you dance!!

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TRUE HOUSE STORIES™ W/ MARSHALL JEFFERSON # 001
In the hot seat is no other than Chicago Record Producer DJ Marshall Jefferson who is known as “The Godfather Of House Music” In this two hour interview he tells you about all his life in dance music and sharing his secrets and rise to fame. A no holds barred interview conducted by NYC DJ Lenny Fontana with his new weekly program called “True House Stories” Get the popcorn and pour a drink this is worth seeing.

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Chicago Dj Mike Dunn meets Superstar Rap Mogul P Diddy to work on getting a deal on Bad Boy Entertainment. Watch the whole episode right here on True House Stories.

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=========================================

► DESCRIPTION:
LENNY FONTANA - EVERYBODY PUT YOUR HANDS UP
Stepping up to the plate is the legendary New York House DJ Lenny Fontana with his first single "Everybody Put Your Hands Up" on his newly formed Karmic Power Records.
As its name would suggest this is a hand's in the air club house monster, with its main room style groove & its addictive vocal hook that will get you singing along.
With a huge remix package featuring a true Godfather of the scene, Marshall Jefferson delving into the deep & techy side of things.
Next up is Gary Caos delivering what he does best.... With his energetic main room mix that's sure get them going.
Then Samir Maslo takes it back to the old school with his 90's inspired mix filled with rolling drum builds & its up lifting strings, rounding out the package is House Of Virus with their catchy disco fuelled mix.
Karmic Power Records.

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► CREDITS:
Catalog: KPR 003
Label: Karmic Power Records
Artists: Lenny Fontana
Track: Everybody Put Your Hands Up
Producer: Lenny Fontana
Written: Lenny Fontana, Keva Youngblood
Vocalist: Keva Youngblood (Keva The Diva)
Publishing: Karmic Power Publishing (ASCAP)
Copyright: Karmic Power Records
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TRUE HOUSE STORIES W/ JIM SHAFT RYAN # 097 - PART 1
Jim Shaft Ryan begins his journey from school learning how to play the Bass Guitar, the same Bass Guitar Paul McCartney played. Jim and his brother Michael start a band and the dream was to become Rock Stars. As chance would have it they begin to start to sell clothing in their own Boutique Shop in Birmingham. While involved in the fashion side of the business early on, they are approached by promoters who are selling tickets for Rave Events. The Ryan brothers start selling tickets to these huge events which spark the idea for them to begin putting events on as well. Learn how Jim begins with his Dj Career and how The Chuff Chuff brand is born in the mid 1980's.

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TRUE HOUSE STORIES™ W/ ERIC KUPPER # 019 - PART 2
Tune in and hear about this absolute legend as he worked to produce some of the biggest, most pivotal songs in house music. Creator of the Whistle Song - Listen to how he worked with legends such as Frankie Knuckles, David Morales, Mark Kamins and Rupaul and the stories behind Eric’s legendary productions. Discover how he formed Director’s Cut. A truly inspiring story that needs to be heard!!
Tune in now and hear exactly how to add that magic into your productions.

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